Интерьерный рисунок

Цветные линии в коридоре

The first book to focus exclusively on the extraordinary paintings, drawings, and prints that Rembrandt produced in the most innovative part of his career.

Мозаика из художественного стекла “Дама в саду” выполнена по мотивам картины Клода Моне “Дама в саду Сент-Адресс”, которая была написана в 1867 г. и хранится в Эрмитаже.Кропотливая и полная любви работа художницы видна в каждом фрагменте картины. Мозаика создавалась не один месяц, особенно долго подбирались детали для платья дамы, чтобы оно выглядело легким, переливающимся и шелковистым. Интересной и необычной видится передача в стекле импрессионизма масляной живописи.

Стеклянные фрагменты картины могут отдаленно представать в виде мазков краски. Летний пейзаж, загадочная незнакомка в белом, большая клумба красных цветов – все акценты перекликаются с главными элементами картины самого Моне. Полностью эксклюзивная работа, которая станет неоценимым подарком себе или своим близким! Такое произведение может передаваться из поколения в поколение, только набирая свою значимость и стоимость.

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Описание

From the mid-1650s until his death at age sixty-three, Rembrandt van Rijn (1606–1669) generated a remarkable body of work as he searched for a new, painterly, and expressive style. His later works demonstrate his mastery, skillfulness, and exceptional ability to render the effects of light, and they have since defined his image as an artist. Rembrandt gleaned inspiration from his direct study of nature, exalting the humble, the mundane, and even the ugly, particularly in his self-portraits and works based on his everyday surroundings. His intimate pictures of figures from history, often portrayed in austere or introspective attitudes, are created with extraordinary.

Доставка

From the mid-1650s until his death at age sixty-three, Rembrandt van Rijn (1606–1669) generated a remarkable body of work as he searched for a new, painterly, and expressive style. His later works demonstrate his mastery, skillfulness, and exceptional ability to render the effects of light, and they have since defined his image as an artist. Rembrandt gleaned inspiration from his direct study of nature, exalting the humble, the mundane, and even the ugly, particularly in his self-portraits and works based on his everyday surroundings. His intimate pictures of figures from history, often portrayed in austere or introspective attitudes, are created with extraordinary.